[…]oting at Cannon. I think they were making the thief of Baghdad then and uh production stopped. The Americans went back to America and uh everyone thought there […]
[…] [Laughter] Sure. Have you any idea of the quantity of production at that time? I mean was there a play […]
[…]with the commercials side. And, secondly all the shooting of those were done in Paris. They had a studio in France but their cutting and all the post production was done in London. So when I was working with him which was in Clarges Street in Mayfair, they had the cutting rooms in the basement. […]
[…] gradually took on writers to train as script editors to help with the, you know, the new, well the new wave really because in those days most of the productions that went out were theatre based and writing for television hadn’t become the art it did later. And poor Michael Barry who ran the departm[…]
[…]your entry. It’s... You said Tom White. He was an independent producer at Pinewood wasn’t he?
No, he... Yes, he was I suppose, yes. He was head of production wasn’t he?
Um... Well, production management I would say.
Yes. Yes, yes.
BECTU History Project
Interviewee Interviewer Track No[…]
[…]tage door one Saturday; I suppose the matinee, planning to go to the performance and to call on Miss Morton before the performance.There was a lovely production, newish production of Casse Noisette- The Nutcracker, two acts, the Christmas Party and Land of the Sweets. This was preceded by another ba[…]
[…] camera. They always gave you a list of films in production, and I thought I'd love to get round a […]
E. M. Smedley Aston (production manager) 1912 - 2006by admin — last modified Jul 27, 2008 02:43BECTU History Project - Interview No. 407[Copyright BECTU] Interview Date: 1997-04-30Interviewer: Roy Fowler Interviewee: Fred TomlinRoy Fowler: So starting at the beginning, when and w[…]
[…]ler: Also it wasn't a total film fan magazine. What I liked about it were the stories from behind the camera. They always gave you a list of films in production, and I thought I'd love to get round a studio and see what's happening. So I looked at the films "Upcoming" and I saw that Cineguild had a […]
[…]ng the holding up. You see I was connected from a board to all fouror five productions. I don't know how they sorted it out, but on this positive film you&[…]