[…] on a freelance basis. I mentioned Ted Chown in the first instance because he was the first operator that I knew who was on this - it was quite a big production that we started on, that I started on.Arthur Graham: I merely mention it because operators weren't in general in the industry in those days[…]
[…]ody rushed about and switched it round from front to back and re-lit it and off it went on the air you see.During the actual transmission you, as the production secretary or whatever...?Mm.You were sitting in the gallery?I was in the gallery, yes.All the time?And...And in front of you was the script[…]
[…] air you see. During the actual transmission you, as the production secretary or whatever…? Mm. You were sitting in the […]
[…]int of fact I'd gone up to get a job because Francis Howard whom I'd met at the Federation had taken a job as a company secretary with it with a film production company and grazing Road which was called industrial colour films to 16 mill house employing about six people. So he said look I think ther[…]
[…], Worton Hall combined with Shepperton. So I was a secretary, and then, just let me think of the order of things. I wanted, by that time, to get into production. It seemed to be great to get into production. Publicity was... and I was, I had a girlfriend, completely independently of the industry, wh[…]
[…]st. This was a year or two years before Quatermass started. And I was made some sort of specialist for fantastic science fiction stories. And my next production, also as a guest producer as Michael Barry, was a famous Jewish play, what was it called, The Dybbuk, And the Dybbuk got some favourable no[…]
[…]for more than a length of time, I was perfectly in my rights to leave. And there was this horrendous German, like he was straight out of the army, SS production manager, and we were in the basement of the gas factory, next to, where they had Speer locked up, it was this disused gas factory, we were […]
[…].Roy Fowler 3:56 CM, CMJonathan Balcon 9:43 CM Wolf sorry, CM Wolf yes, I do get names wrong. He formed with Victor Saville a production company making advertising films. This was in 1919 and it was not unnaturally called The Victory Motion Picture Company. And Victor Saville[…]
[…] to Cambridge I used to devote the long vacation to working with Paul rota productions as it then was in those days. And then when I came down in 43&n[…]
