[…]rama. Panorama went on…I was…the Talks Department then became the Talks and Current Affairs Department, divided into three departments, Tonight productions…I mean, this was the time…by that…this was the time when Donald Baverstock went up the road to Television Centre to become the Assistant t[…]
[…]y exciting or unusual or different, but because of that people saw in the studio that I had done a lot of that sort of work and Donald Wilson was the production manager on it. He might have been first assistant, he might not have moved up to production manager in those days, but it was he who then g[…]
[…]'s our broadcast, television, radio. My mother acted with the W Gate Theatre. She had acted with William poor who was either a pioneer in Shakespeare production in EnglandJohn Taylor 4:21 locks his name,Paddy Carey 4:22 William poor po e L. And my father actually was also an […]
[…]nbsp;60 Assistant 60 record is probably about 30 Assistant record is 40 Sparks and nine,Unknown Speaker 10:08 nine to 10 Grips is amazing production house. And you've got to work on such a variety of programmes everything from current affairs documentaries to drama, comedy, music and art[…]
[…]ciated and I wanted to be a part of it. And when I went to The Bush they said to me, "You stay until the war is over and then we'll help you get on a production," which they did. Roy Fowler: Ah hmm, good. So you were a moviegoer, presumably? Andy Worker: Hmm, two or three times a week! [Ch[…]
[…] wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording […]
[…]ly doing the job of assistant, so you know managing all the content that was coming into the cutting room and that was being worked on, liaising with production and the other disciplines as well. You know when the film was finished you do the sound track-lay and when the transmission print came back[…]
[…] anything else for that matter, would phase automatically. We thought this was the answer, because what we wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording and transmitting, anybody could do that. As long as they knew how the machines worked and d[…]
