[…]00 different sources, you have to develop a different sort of system for your unused text cuts and overs and spares from what you will for continuous production, I think continuous original material.Michael Legard 42:49 It sounds like a bit of a drudgery that they're having to scratch on[…]
[…]l television started up. It was indeed all the dead beats and the hacks from radio and BP pictures. That's great man who went pouring into the agency production so really as well, just to ask the question. That's what I know of the period, you were quite unique in approaching it from an advertising […]
[…] Maurice Elvey and Herbert Wilcox. He gives accounts of the production of Victoria the Great and Brief Encounter (1945) and […]
[…] Borehamwood studios, after about two years he moved back into production as assistant dubbing mixer. Worked on various films , […]
[…]TMAN: Yes, we did. I was in the North London Players which was at the Intimate Theatre in Palmers Green, which it was known, and we did a production of All My Sons, in which I played the son, which got a really good article in the Evening News at that time. That was very successful[…]
[…]now. Who else Tony Harvey was at Highgate but he was younger than I and I I saw him once reall because he played the dauphion in a school production of Bernard Shaw's St Joan somewhere around about 1945, I think to remember, he's very good. And in fact, I remember seeing it. But and I th[…]
[…] he disappeared from that and I actually in the end got a job and I was very fortunate I became an assistant boom operator and I went on to that very production. So Denham at Denham and followed up all the post synchronisation, the effects and then we were roaring around Denham lau[…]
[…]sgrave: So you'd moved from Ryde.John Aldred: Yes we were living near Hayes, Middlesex, at the time. I went along on the Monday morning and the first production was a comedy called Wanted with Zazu Pitts and Claude Dampier. I was very impressed when I saw the first day's rushes - I didn't know what […]
[…] John Box to work with. Because he was a brilliant production designer and didn't fortunately want. I mean the whole thing. […]
[…]M: Well, the – with Fred Pusey, before television started, they had a company called Associated Rediffusion.DB: Yes. 20 minutes. PM: Future productions, I think they were and they were stockpiling. Little vignettes. Fifteen- or ten-minute little episodes. Something to put on the television[…]
