[…]ys would just do it I was sent for special tuition. If I was playing a leading part I had to go and get lessons, singing lessons, I had to get voices production and movement, in other words had to do it properly. I got quite a good indoctrination that way, played the piano, and learned the guitar la[…]
[…]nbsp; a rnan called Bill Able, and our ultimate boss was Tim White , he was chief production manager, and he controlled the making of the films being made by Independent Producers, Indepe[…]
[…] a sonic sound. Now those do Sonic heads. Chief always told me they were really made for they were a recording head. But they were put in there for reproduction. I know. I didn't understand what a boy but I know, later years we had a lot of trouble with them. But the engineer always seem to be adjus[…]
[…]ng the holding up. You see I was connected from a board to all fouror five productions. I don't know how they sorted it out, but on this positive film you&[…]
[…] did get through. And it wasn't...we had a very nice production manager, whose name I forget...and it wasn't until the end […]
[…]now. Who else Tony Harvey was at Highgate but he was younger than I and I I saw him once reall because he played the dauphion in a school production of Bernard Shaw's St Joan somewhere around about 1945, I think to remember, he's very good. And in fact, I remember seeing it. But and I th[…]
[…] requirements which was what you know a pound for six rebels I think was the quote or act reply. I honestly can't tell me I wasn't near enough to the production party but I would mention that. They possibly made an attempt on an occasion to make[00:10:22:980] - SPEAKER: M3. A film to justify the cos[…]
[…]tage door one Saturday; I suppose the matinee, planning to go to the performance and to call on Miss Morton before the performance.There was a lovely production, newish production of Casse Noisette- The Nutcracker, two acts, the Christmas Party and Land of the Sweets. This was preceded by another ba[…]
