Alan Masson

[…]ced, in 1951, a number of improvements in quality were made. Emulsion technology developed and the emulsions were made finer grain, sharper, colour reproduction was improved and so on. And so every few years, [as the result of product development work in the research labs, we released] an improved v[…]

Charles Potter

[…]S rail. LMS Yes, LMS rail, London, Scottish Railway. This one, the one there, London. Scottish Railway Board also authorized money to be spent on the production of a number of films to show the staff the other man's job.Speaker 3  14:57  Now I. Just at that time, of course, I was also by t[…]

Lionel Banes

[…]bsp;then I started on a film.Unknown Speaker  6:00  On the Yes, I started on the day that the filmUnknown Speaker  6:05  commence production.Unknown Speaker  6:07  The Hound of the basket. Oh, yes. I mean, what were your duties then?Unknown Speaker  6:14  Load[…]

Leonard Harris

[…] the lighting cameraman, camera operator, assistant director and I think production manager, oh and the director - if you finished the […]

John Daly

[…]nbsp;60 Assistant 60 record is probably about 30 Assistant record is 40 Sparks and nine,Unknown Speaker  10:08  nine to 10 Grips is amazing production house. And you've got to work on such a variety of programmes everything from current affairs documentaries to drama, comedy, music and art[…]

Michael Houldey

[…]hat experience.Unknown Speaker  6:12  Out of that, well, not out of that came another step away to Channel Four. This was a big independent production, I said big because of the scope and scale of it. There was a musical on in Russia in Moscow, called Juno and a vos. It was extremely contr[…]

Vernon Sewell

[…]t of the end, a lot of the script he re-wrote at the end himself.Roy Fowler: How did the Archers come into this?Vernon Sewell: It was their production.Roy Fowler: Yes...Vernon Sewell: 'The Silver Fleet' was an Archers production, Mickey Powell was producer.Roy Fowler: Right.[…]

Alan Lawson

[…]ade some films for Tiffany Stahl and my father sent me to see Maurice Elvey and Maurice Elvey said I'll pass you on to L'Estrange Fawcett who was the production manager. And L'Estrange Fawcett said you've come at the right moment, there was movement going on at the camera department, I think David L[…]
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