[…]endent film sectorMike Dick 27:16 the next phase. The other thing was quite interesting. You've answered all my questions. There's a film production course you did that was later? That later? Okay, yeah, that wasSpeaker 1 27:29 later, yeah, I did that. I worked after uni. I t[…]
[…]ty of the of the film, it was quite good.Roy Fowler 21:50 One last question for me. JOHN, was there any native New Zealand film industry? production?Gerald Chambers 21:57 Well, yes, there was the National Film Unit in in Wellington, with whom I made the film later, later on i[…]
[…] today. And I imagined it would have completely deteriorated even if it had I mean, it was Roy Fowler 12:19 these were his productions, or Ronald Neame 12:21 they were in conjunction with with Cecil Hepworth. I think Roy Fowler 12[…]
[…] that he didn't really, he was a distributor you see he wasn’t a producer. He wanted to be a producer and he didn't really know anybody in production, but he did happen to know some of the people at Cricklewood including Leslie Howard Gordon you know …Alan Lawson 33:05Yes, yes&[…]
[…]Well, yes. ADennis Kimbley 33:25 lot of them Desmond Dickinson. Norman Langley. JACK Carter. Yes, Brian Brian. Brian. Roman Langley was a production manager, jack Carter card ofRoy Fowler 33:38 yours.Dennis Kimbley 33:40 Geoffrey Unsworth. And I think he was might[…]
[…]a, it wouldn't be a bad idea, it wouldn't be a bad idea if I kind of got another string to my bow and learned a bit about that, and maybe do a bit of production or whatever.Because don't forget, nobody quite knew where it was goingin those days. I mean second guessing it now is quite easybut there w[…]
[…]t . Anyway that film was made in Berlin and we actually have a copy of that film and my mother had a small part in it.Furthermore there’s a wonderful production still that we’ve got of the whole crew in front of this ghastly, cheap looking set. But it’s interesting because it’s got three cameras all[…]
[…] Fowler: The way pictures went through, the process, there is the writing section, howearly was the liaison between what they were working on and the production departmentand the art and department. How long the lead timeMaurice Carter: It couldn't be very much. I don't think we had a script much mo[…]
[…]really knew nothing. I did actually apply for a job in 1938, to Alexander Korda and had a very nice letter from somebody called David Cunningham, the production manager at London Film Studios, who interviewed me and said, yes, they might be prepared to take me on as a trainee assistant editor at a s[…]
[…]t he paid you.VG: I honestly don't remember but I would have thought if I got £50 I would have been very very lucky.RF: And this was taking the stage production, the book of the stage show and adapting it.VG: Yes.RF: Did you stay with it for the shoot?VG: I was in it, I played one of the juvenile bi[…]
