[…]ne was one name I must mention, must mention, and that's DH, Monroe, yes, remember? DH, yeah, you will Yes. Well, DH, really ran the shop. He was the production manager. I don't what you call him in today's world. Alan Lawson 17:07 He was supremo. Bill War[…]
[…] had you?Larry Allen: I bought a wooden one to start with, then I bought a Bell and Howell, see? So I thought, "Right, it's time now I went into film production properly," see? Well a friend of mine who is a big noise in the film world - later he was - he was then, and his father was a big director […]
[…]spa: Did you do an apprenticeship in engineering. Geoff Conway: No. There were no apprenticeships at the time, during the war. It was just plain production line mostly. I was getting training in machine setting. Manny Yospa: Because there was quite a bit of training for mechanical work.&nb[…]
[…]ivate money I think at that time, a man called Norman Loudon ran it and I was there for quite some time. But I graduated from publicity to helping on production which I thoroughly enjoyed.BA: Can I interrupt, what year would that beBE : It wasn't until 1933, 32 or 33 .BA: So it was well into the sou[…]
[…]e of it.Unknown Speaker 4:15 I know I was an assistant coming in on blossom time,Unknown Speaker 4:21 which is one of the big productions they made there with Tauber, who wasUnknown Speaker 4:29 the cameraman.Unknown Speaker 4:30 Cameraman was Claude f[…]
[…]could imagine, he was directing George Formby once and it was George Formby’s birthday and he got the sound department to put two drawing pins in the production chair and I was off-stage with a wind-up generator which can give you quite a nasty shock and I was supposed to give George Formby a shock.[…]
[…] Sid Cole, Alan Lawson Interviewee: Edward Carrick (Craig), Art Director/ Production Designer Sid Cole: Te d d y, i t […]
[…] and resources of the History Project volunteers and encourage greater production autonomy. To this end, one key individual (e.g. the […]
