Peter Williams

[…]of the situations which hadn’t changed in 30 years was the plight of Rudolf Hess. Hess was still in .. wherever it was. So I talked about that to the production team (I can’t remember who the Editor was – I think it was David Elstein at that time) and I said I think it would be worth having a look a[…]

Jim Peters

[…]a two-minute film but if it was a bigger story, even a feature for Scotland Today News programme, if it was over two minutes, you had a Director, his Production Assistant, a Cameraman, an Assistant Cameraman, a Driver and a Stagehand, for something over two minutes! So, invariably, you'd turn up som[…]

Robert Scott

[…]o, within Unit Sixty Five there would be a team of you, a group of you making these films? R: Yes. I: Did you have a particular role in the production process or was there anything that you particularly liked more than other things about it? R: I started off, as most people did, doing[…]

Peter Ansorge

[…], I mean, David did live up there in Birmingham. I mean, he had quite a big house, he lived like a Country Squire, outside Stratford. And some of the production and the production managers and the FM's and so forth, all tended to have settled in in Birmingham. We actually commuted for throughout the[…]

Graham Hartstone

[…]said Time went anyway, in fact it was all right. It had a bit of a dent in it which I hammered out with a brick that went on to be used for many more productions. Jim Betteridge  12:26  What were you recording to Were you always recording money or Graham Hartstone […]

Eileen Diss

[…]y wrote back and said no, we will pay you (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production designer at […]
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