[…]Cole. Ralph Elton was around, hewasn’t with Shell but he was very much around in that particular group of people. There was, Betty Lurid [ph] was the production manager. Who else was there there? I reallydon’t remember, you know. […]
[…] masking which I think was rather new. BH: Masking had been studied in colour reproduction but doing it on a continuous printer scale, it involved running separate strips with your positive&[…]
[…]that was the title of the signature tune that became quite famous – but that was all that happened. That was to open the studio, this Edward Dryhurst production directed by John Harlow and then nothing happened at all. MGM brought in one picture which I think was Edward My Son which I think was the […]
[…]r I got a letter saying please call at Stoll Studios, Cricklewood at 9.00 on Monday Torning. I went to Sinclair Hill's office who was the director of productions and sat down – he offered me a cup of coffee and a cigarette – and I was in. I saw Ossie Mitchell and he said you can start right away – £[…]
[…] He bought Everybody a present at the end of the production you know that who me as in some ways […]
[…] this interesting character, Walter Mycroft, who was in charge of production at the studios. He was a small man who […]
[…]for more than a length of time, I was perfectly in my rights to leave. And there was this horrendous German, like he was straight out of the army, SS production manager, and we were in the basement of the gas factory, next to, where they had Speer locked up, it was this disused gas factory, we were […]
[…]- it was very advanced at the time, so that was in the mid seventies so they broadcast in black and white to all the schools in Glasgow. They had two production studios where they made programmes dedicated for that. They had a Film Department. John Gow worked there, as did Steve Beck so there's a lo[…]
[…] variety show a kind of compilation of. Royal and something don't forget used to. It's nice work for. He bought Everybody a present at the end of the production you know that who me as in some ways it was................... the thing about filmresearch and the change in the mix is the ages and I saw[…]
[…]stivals. Lots of work around. So, mm.And what about... That was taking stills for, for kind of, display, programmes and all those things[??]?Yes. Yah.Production stills.Mm. Mm. And then they used to, they used to give me my own rehearsal, you know, the lighting was done, then I could just... So I sup[…]
