[…] John) and Thunder Rock (1942) (Directed by Roy). Their film production company Charter Film Productions was s et up in […]
[…] were putting out in the UK, in American exports and production... Lew Grade : Yeah, but it was suitable for […]
[…] administrator. There was Harold Goodwin. Alan Lawson : He was production assistant. Peter Birch : Well he would write scripts […]
[…] the works and I found I had taken on the production of a film. Interestingly I think that the Sutcliffes […]
[…] lot of them. Every day the cans for a different production would turn up. Quality varied enormously but I learned […]
[…]s beginning it. So for me, it was a lot more harder. I had to work, not hard work, so much harder to be accepted. I remember there was one particular production assistant, who just treated me like a brat. And, you know, I hated working with her. But then it became a it became a challenge to win her […]
[…] called De Lane Lea studios - now in Wardour Street - De Lane Lea Wardour - he produced that and put the money up - and the BBC - a jointQ: Was it co-production?01:26:49JOE: Co-productionQ: Ah right - right - right - right - who was head Children’s at that time do you remember was it Edward or was i[…]
[…]in: So was it that he thought those studios were too small and he wanted to... ?Manny Yospa: Hmm - yeah I don't know if he wanted to concentrate more production at Denham, because they had several large stages there. And although, as I say, we were making successful films quite cheaply in the long r[…]
[…]From The Madding Crowd is going to turn out. But meanwhile I was working at Stratford for the Royal Shakespeare Company and I was preparing to do the production, and in fact did it, with Peggy Ashcroft at the Aldwych of a Marguerite Duras play, Days In The Trees. And at weekends, Richard MacDon[…]