[…]ll Studios, where I met Clifford Pember, who was art director to Herbert Wilcox. He was a well-known stage designer - he'd designed a number of stage productions in New York and a number in London as well. He was an old Wykehamist and he had been at the Architectural Association in his youth, had be[…]
Dave Davies (DD)Laboratories – Production Controller (Technicolor)BECTU No. 230Interviewers: Alan Lawson (AL) and Syd Wilson (SW)Date 27/11/19912 Tapes Side 100:00:00 – 00:03:00 Introductions; born in South Wales, Troed-Y-Rhiw (foot of the hill), 1921; grammar school until 16; moved to West Dra[…]
[…]bsp;great film. George go. No no no. Try that very annoyed. I called in my production manager I said bring me here. Lynn Redgrave has a sister. And she cam[…]
[…]r s, t. c, rosc. And rosc is the Gaelic Irish word for poetry of vision. That's the reason why it's called rustc. They also made a film, a full blown production called John and the magic Music Man, which is, oh, it's a contemporary version, similar to Britain's young person with music and word[…]
[…] so much time a day. Do you know Johnny Goodwin?Unknown Speaker 3:05 I know of him. Yes. Johnny Goodman was first assistant. Yeah. Was he production manager? I should think Production Production Manager. I should think that's right. AndUnknown Speaker 3:18 a shooting on all t[…]
[…]ey said, Well, would you like to come up and see us? So I did, and I saw a gentleman by the name of Bishop Bert bishop. He was a nice man. He was the production manager for gomats, and then I had to see Mr. Castle tonight. He was the boss in those days. And I went back home, carried on working. And […]
[…] I’d say ‘One, Two, Three’. ‘What’s the name of the production of the film’? ‘One, Two, Three’. ‘What’s the name […]
[…] the producer, and a chap called Ian Ferguson was the production manager. I went along to be interviewed by Ian Ferguson […]
[…] know, and so on. Anyway, that was the end of production briefly, but very briefly. All the pictures went, rapidly, […]
