[…] Bert Bishop, he was a nice man he was the production manager for Gaumont, and then I had to see Mr. […]
Peter Lamont Production Designer Interviewer: Paul Frith (PF) Date: 28/07/2018 Total Length: 01:25:07 PF: This is an interview with Peter Lamont, 24 July 2018. I just want to thank you Peter for taking part in this. So just to start, perhaps you could tell us a little bit ab[…]
[…]bsp;R: BBC, Radio Scotland, I was a trainee with a two-year contract to begin with so this is 1987. Started off as a Sub-Editor. I went on to do some Production in Good Morning, Scotland, Good Evening, Scotland as it then was, now Newsdrive. I then, I would do some reporting as well and you went to […]
[…]got more experienced. You can treat film with too much respect sometimes. So after that, we did another series called sentimental Agent with the same production team Harry fine was a producer. And the actor the lead actor went AWOL towards the end of production, and we had an awful job touching up t[…]
[…]hat was just a cheap thing, directed by somebody called John Harlow. Er, we (laughs) we said ‘Harlow by name, Harlow by nature!’. He was a nothing; a production manager – they just got him in quickly. And then, erm…I heard again that there was a film called ‘Kipps’ being made at Shepherd’s Bush, and[…]
[…]ing and they were looking slightly bored and they said ‘Yes, what’s the name of your company’? And I’d say ‘One, Two, Three’. ‘What’s the name of the production of the film’? ‘One, Two, Three’. ‘What’s the name of the...’? And by the time I said two, you know, three One, Two, Threes they said ‘Oh th[…]
[…]antly, various members of the Osterer family I remember. Roy Fowler 23:39 C M of course backed your father in a very early production. Jill Balcon 23:44 Did he? Roy Fowler 23:44 Yeah, it was his money. I think it was hi[…]