Bernard Vorhaus – HP0219

[…] Cohn at Columbia. He worked as a writer for various production companies during the 1920s, and began to direct films […]

Muriel Box

[…] 1950. Alan ? : Is going by release dates or production dates? Sidney Cole : Well that's always the problem, […]

Hugh Stewart

[…] Legard: Hmm. Hugh Stewart: So Dora Wright, who was the production manager said to me, "Well why don't you say something?" […]

Tom Peacock

[…] studio about I Claudius? Because it was a very troubled production. Tom Peacock: That's right. Well I must admit that […]

Anne Fleming

[…]collection alongside the exhibit. 21.00 MW: During your time from the start of the Department as a department and your involvement in television production and supporting producers and so on,how much emphasis was there then on earning income for the Imperial War Museum out of that endeavour? Wa[…]

Paul Collard

[…]ho since then has done many different colour processes. And John Hemmings was our feature film contact man who would go off to the set and in the pre-production discussions about the rushes and the look and everything else. He came back to the lab one day and said to me “They’ve said to me there’s t[…]

Kieron Webb

[…]el supposed to be like? No harm in saying we played it safe I guess, you know. We went for what we felt would be reasonable for that period of film reproduction. One other thing I was gonna note was the optical effects. There’s a few mixes, dissolves in the film and they… they’re not as good quality[…]

Brian Dale

[…]ork of Superman flying which was very exciting work – separation issues in the colour film; Pinewood changed the side of the road you drive on during production of Supergirl as it was an American crew.00:09:20 – 00:14:35 Cartlon Communications took over Technicolor circa-1990 (David Cameron worked h[…]
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