Laura Mulvey

[…]d, there were very important changes going on in independent film making in this country and probably the most important one was the shift at the BFI Production Board, where Peter Sainsbury, who had been the editor of After, After [CD, off screen prompt] Image, Peter Sainsbury had been the editor of[…]

Jan Zilliacus

[…]right, yum.Including Britain when Anthony Eden was Prime Minister.That’s right, that’s right.And we were asked to help do the British end of the film productions.Oh good, yum!And the Russians they’d sent over camera people, you know, they’d sent over a vastcrew as you can imagine.Yes, yes.And of cou[…]

Rosamund John (Silkin)

[…]t know for months afterwards that Jesmond Dene is where the theatre is situated. We made this film at Ealing Studios, but it wasn’t an Ealing Studios production, it was some tatty little firm. Somebody wanted to put me under contract, my father was appalled- the mere idea was dreadful for him and I […]

Charles Bennett

[…]ide to go into film. It sort of happened. Actually, I started professionally in the theatre, I suppose when I was eleven. That was in Max Reinhardt's production of The Miracle at Olympia in 1911. And then I went back to the theatre when I was fourteen, and I played... Yes! Talking of films, I'm alwa[…]
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