Hugh Stewart

[…]ight. And so - I don't wish to make anything of this, but virtually I did do it, you see...John Legard: Hmm.Hugh Stewart: So Dora Wright, who was the production manager said to me, "Well why don't you say something?" And I said, "What's the use in saying anything about it? It'll only sound like sour[…]

Harold Myers

[…]know more people, and I got to know the way the film industry worked, technically, the financing of the film industry, box office, film distribution, production, the economics of film production. Film distribution was my specialty, so it served me in good stead and the encouragement I got from the e[…]

Elaine Schreyeck

[…]assette recording.Tape 1 Side A.The copyright of this recording is vested in the ACTT History Project. Side One. So, Elaine Schreyeck, Continuity and Production Secretary, you have it.Oh good.Alright. Now, you've read the thing, so we start off with the, you know, conventional background sort of thi[…]

Bryan Langley

[…]point of view in a way.2. Changes in frame sizeAG: Over the years changes have taken place in the frame size. What were they, and how did they affect production - if at all?BL: They certainly did. The original frame size was what we call the standard frame, and this extended edge to edge of the perf[…]
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