Search Results for: Production Manager

[…] And his name Kleenman at Gainsborough Studios. Who was the production manager. The studio manager. And so cutting long story short […]

[…] Ball, props master; Michael Bradsell, editor; and Neville C. Thompson, production manager. All of these worked on all or most of […]

[…]t male boy. And then they ask you, where do you want to go? You want to go into camera? Do you want to go into art department? Do you want to go into production, I said, I want to go into production. So I waited my turn. And then I moved into the runners department. Third runner, up to second runner[…]

[…] colour and the way we dealt with that was we told, I told, Tony Garnett the producer that I wanted to pre-flash all the negative before we went into production. And Tony, being a sort of a creative producer and not a negative kind of producer, said “That’s fine” but of course he never realised the […]

[…]incidentally whereas commercials are, you know, a vitally important industry, they’ve kept the industry going and it’s essentially they or commercial productions, commercials production that has trained people, you know, so maybe Ridley Scott came up through commercials it wasn’t through working at […]

[…]d to Anglo-Scottish Pictures in 1954 starting in the animation department; his experience in the labs meant that he working with the film crews also; Production Manager on One Plus One (Jean-Luc Godard), mainly pre-production; PB was shop steward at Rank during the lock-out in the early-1950s; asked[…]

[…]And by stealth it’s happened.[0:11:16]And I think one of the things, one of the things, I was thinking about it today, about Vanson Wardle and Vanson Productions, has been that we’ve been very prophetic. We’ve always been a bit ahead of the game. I mean, were we that smart? I don’t know. Were we jus[…]