Links & Resources

[…] The UK’s media and entertainment trade union, covering broadcasting, film, independent production, theatre and the arts, leisure and digital media. BBC […]

About the Collection

[…] available to be shared as part of our national legacy. Production The earliest interview recordings, made between 1987 and 2000, […]

Ian Rutter

[…]g you've ever seen on television, just a lot of it was experimental. We come up with new ideas. And they say, oh, yeah, we'll do that. We'll do that. Production supported us wonderfully. If we thought we could try something different. They say, Okay, try it out, see if it worked. When digital came i[…]

Christine Whittaker

[…]to me about my family and so on.JERRY KUEHL: She wouldn’t accept an indemnity. i.e .a guarantee that if anyone came forward who owned the rights, the production, not the BFI, would be responsible. That was the problem.CHRISTINE WHITTAKER: No, she wouldn’t. She was absolutely strict about rights and […]

Jean Kent

[…] do. I used to rely on my mother to tell me the order of them, I don’t really remember.I: And also after the success of The Man in Grey , there was a production line, much more costume pieces that you all fitted in so beautifully.JK: Well costume pictures; you know anyone can do themI: Then there se[…]

Esther Rantzen

Interview with Esther Rantzen: Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifti[…]

Julie Harris

[…]t’s when it began to broaden out and other designers came in. The approach to costume grew rather as the films got bigger, and there were co-American productions as well. Of course, when I first started, clothes were still rationed, so we had coupons to think of. Every costume you did, you had to in[…]
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