Wendy Toye

[…] for three weeks round a table deciding on one cut. And I would just say can we stop. And I would get the reels off the camera and take them into the projection room and cut the bit out and stick it together and bring it back. And they were horrified to do anything without talking about it for a lon[…]

Patrick (Paddy) Carey

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Cynthia Moody

[…];Basic Wren training, but I wanted to get, because there was a thing called a semi-op course, which was held in... not Portsmouth, Chatham, which was projectionist.                      &nbs[…]

Angela Allen

The copyright of this recording is vested in the ACTT History Project. The Subject is Angela Allen interviewed by Linda Wood, November 27th 1990, File 168Honorary Member of the Guild of British Camera Technicians (GBCT) and was awarded the MBE (Member of the British Empire) in the Queen's New Year’s[…]

Harry Miller

[…]picture was in the middle and they was always half a frame out of synch you see.   And by the time they’d loaded that onto the projector and the projectionist had put that another frame or two frames out of synch, you used to wind up seeing things out of synch right.  And I used to get ver[…]

Death of Sir Sydney Samuelson

It was with great sadness that members of the British Entertainment History Project(formerly the BECTU History Project) learned of the […]

Vernon Sewell

[…] do it. If you can't get the shots, get back projection plates for it. Whatever happens, at this date, the […]

BEHPintervieweereleaseformBEHPA1

B E HP1 INTERVIEWEE RELEASE FORM ______________________________ INTERVIEW No : NAME OF INTERVIEWEE: In consideration of the payment of 50p […]

Production Documents old

Members of the History Project involved in the recording of interviews for the archive must familiarise themselves with all Production documents by downloading […]
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