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For the past thirty five years, The British Entertainment History Project has been recording the stories of men and women working in the UK […]

Waseem Mahmood

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Interview

[…]can actually physically see and, and hope but maybe that's just a sign of the times, you know, soDerek Threadgall  1:03:31  he ever trained projection? I was trying to be original national tools. Fine. That was the Teddy good. Yes. And that's where I was trained. And of course, it was the […]

Hazel Allen

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Mary Harvey (Welford)

BECTU History ProjectInterview no: Interviewee: Interviewer: No of tapes Duration:390Mary Harvey Teddy Darvas 2111:29COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is ves[…]

Graham Smart

[…] had it with Colour Film Services. And it was a rock and roll sound system with four channels of sprocketed magnetic film, and a record channel and a projection channel. We had this fitted up into our sound room. Bo Mar, it was Italian. And it was such a large piece of equipment, we had to take the […]

Vernon Sewell

[…] "Vernon, you've got to finish the picture by this date. We've got to be finished. Whatever you're doing, do it. If you can't get the shots, get back projection plates for it. Whatever happens, at this date, the picture stops!" And I was right in the middle of that very, very big scene with the ball[…]

Gerry Fisher

[…]And of course, the next day, they had rushes. I wasn't allowed to go into rushes. But of course, I'd crept up the back stairs and out of wherever the projection is. And he let me look through the window. rushes and to my astonishment, this scene whether there are all these lights on the day before w[…]

Paul Fox

 VOICE FILE NAME:    Paul Fox Side 1I    =    Interviewer  -  Norman SwallowR    =    Paul FoxM    =    Alan Lawsons.l.    =    sounds like I:&nb[…]
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