Search Results for: Projection

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

[…]5?) Interviewers: Jim ShieldsInterviewee: Peter Stroud  Tape 1, Side 1Jim Shields: This is an interview with Peter Stroud, Charge-hand projectionist, Theatre Seven, Pinewood Studios. The date is... the something of June?Peter Stroud: 29th!Jim Shields: 29th June 1993. Well Peter, where[…]

[…]k  Malcolm asked her a question and, and then it's then hands started going up and couldn't stop them. Absolutely current.Butreally,what was the projection like?Charlotte Jennings  30:01  The projection wasn't bad. But but a deep print of is I knew this would have been Timothy I think[…]

[…]p at around 11 in the morning and gear, and we had an Iron House and a transformer and a converter, which took four men to lift. The Iron House was a projection box and a converter and our rectifier and crush those one and the flat, flat, flat, horse drawn vehicle. All this gear was put on down to t[…]

[…]seemed to be now a hospital for newly arrived immigrants. That's correct. And there were three or four rooms there, including a theatre wasn't just a projection theatre. Was that shared with Goodliffe? Yes, it was. and cutting room was an office and a room used for cutting room and a store roomit wa[…]

BECTU History Project Interview no: 38Interviewee: Elaine Schreyeck Interviewer:No of tapes 1 Duration: 1:20:40COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in[…]

[…] cheaper seats were. And of course there was a piano accompaniment, the pianist was usually pretty poor, at least in a small town like St Albans. The projection varied, it was hand-cranked in those days, and er, the customers loved the pictures, as I say, anything that moved and they were there, the[…]