[…]treet, which was run by a lovely gentleman called Frost, who was always known as Frosty. And so we decided that we couldn't afford any elaborate back-projection, or anything like that, we'd got to do it ourselves. So we went to Frosty and we talked and we decided that we could project our family ont[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
THE COPYRIGHT OF THIS RECORDING IS VESTED IN THE ACTT PROJECT. PETER PROUD INTERVIEWED BY SID COLE ON 18TH NOVEMBER 1987.SIDE ONE Peter Proud: Sid Cole My fam[…]
BECTU History Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1&n[…]
COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not b[…]
[…]ckstage, be in front and in the same way as any director and a film director wants to be at his premiere sitting in the audience, not anywhere near a projection room let's say. And the whole point about television, live television, particularly drama, was that and to a very large extent i[…]
A national archive of the oral histories of professionals from British Film, Television, Radio and Theatre. The British Entertainment History […]
