[…]. Even you went into film because I always wanted to do that by being an as I was when I was a kid I always was fascinated I was given a note on five projection films in 2004 and I went to my second school I went to I became very friendly with them. Another chapter has gone into films and Boys Life […]
THE ACTT HISTORY PROJECTEDWARD CARRICKINTERVIEWED BY SID COLE WITH ALAN LAWSON.The copyright of this recording is vested in the ACTT History Project Edward Carrick, Art Director/Designer, recorded on 30th January 1991.Interviewer, Sid Cole.SC: Teddy, it's lovely to see you after all these years. In […]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview n[…]
Copyright is vested in the BECTU History ProjectCORRECTED VERSIONRudi Cartier, television producer, interviewer Norman Swallow, recorded on 22nd January 1991[By the time of this recording Rudi Cartier's hearing was badly impaired and as a consequence he was reading questions from a pre-prepared ques[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]said how you came to be.have joined the ACT.Frances Cockburn 13:04 Oh, well. This was a Cleveland Hall. Yes. And Mickey Jay was the chief projectionist. And he is a great buddy of mine. I admired him enormously. And he said, Look, why don't you join the AC T. And I had no idea what the A[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]ck to the cinema but my contention is that it has to be a different type of cinema. It's got to be a comfortable place, it's got to be certainly good projection, comfortable seats, and I think you need these other amenities with your cinema, on whatever level. If it's on a particular level you might[…]
BECTU History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the foll[…]
