BECTU History Project - Interview No. 53 (Taken from side 2 of interview 54 with Jack Rockett)
[Copyright BECTU
]
Transcription Date: 2002-10-01
Interview Date: 1988-08-22
Interviewers: Sidney Cole and Roy Fowler
Interviewee: William Fielder
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BECTU History Project - Interview No. 51 [Copyright BECTU] Transcription Date: 2002-11-18 Interview Date: 1988-08-19 Interviewer: Roy Fowler Interviewee: Andy (Adrian) Worker Tape 1, Side 1 Roy Fowler: An interview with Adrian, otherwise known as Andy, Wo[…]
[…]t an inspiration. Well doing so much plastering and, all curves and caps and that, when you did come to paint you could paint so that you could get a projection you see. And it's a marvellous thing when you can feel it - do you know what I mean? When you can feel it. Sometimes you might be doing som[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
HISTORY PROJECT - ADOLPH SIMON​[TIME CODE IN ELAPSED TIME]​SIDE 1​Q:​This is the recording by the ACTT History Project on the 16th of October 1987, with Monsieur Adolph Simon, originally French, but now a long resident in England. Mr Simon, tell me when and where were you born? 00:00:20​AD[…]
[…]hich was the editor, hecould see perfectly well. The director never came into the cutting room.He saw what you presented and he gave his notes in the projectiontheatre which you followed slavishly but you also added things of yourown and if you had make changes, and you had to make them all the time[…]
[…]ou, I think. There was a boy called Strutt. who used to be our negative cutter. There was Arthur Rutter, who was Dispatch Manager; Bedwell, who was a projectionist? Lofty Hilling, who was stage hand; Nicky Wood, who was in the drying, when it was all done on the drums; Humphries, who was the newsree[…]
