Brian Pritchard

[…]ere doing a lot in the ‘80s weren’t they? Based on what you’ve said there, that was probably a key point in getting some of those films back into the public spotlight. It was what Channel 4, ITV, and the BBC were after.[01:54:55]BP: They had terrible problems with pirates actually. I mean, piracy wa[…]

Carol Owens

[…]tudios, and so quite a rich and varied range of programmes to work on. And then my first film as full Assistant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind […]

Graham Hartstone

[…] had one of the gap, Tommy things she sent me some a nice little note with some of her tablets. And then we had a very honoured I don't know his book public because he'd never been then we had a visit from Walt Disney himself a big event, and he was shown around the location and while we were shooti[…]

Bob Jordan

[…] set chatting and laughing with them.[01:08:00:910]  Maybe because they weren't a threat to him in the sense that you know. He always hated publicity because there's always a bet on a Michael Winner picture [as to] who's going to get fired first and odds are even it's always going to be th[…]

Gerry Weinbren

[…]ve people a print of what they were doing. So we were we. We had virtually take it over for the industry and this is what. This is. What I saw as our public relations effort on behalf of a company. You must remember that time if if if panorama were going to do a program that Ed arranged and they wou[…]

Robert M (Bob) Angell

[…]in backs. And at the age of seven, I went away to prep school in Sussex, the normal sort of thing for middle class child of those days and went on to public school at more bruh where I stayed until 1938. What did your father do? But my father was an architect. And my mother was the daughter of an em[…]

Charles W. Smith

[…]oing to have stereophonic sound, which was extremely novel in 1951, and, again, was the first time that stereophonic sound had ever been put before a public audience. And so his proposals were agreed by early in 1950, and he had about 14 months to master the technique of stereoscopic filming an[…]
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