[…]something like that, wecame down about seven o’clock, we came downstairs from where we were dubbing and we had, we didn’t have a television, we had a radio which used to be a radio and television, so we could get television sound but we hadn’t got television picture. Anyway, we turned the sound[…]
[…]ision broadcasting companies, as opposed to the producers, they're more or less duty bound to send in returns of what music has been broadcast as the radio comes on, some of them are monitored. Some of them monitor or some of them are sampled by the prs, or by somebody so that they listen to an hour[…]
[…]ms : We didn't do... that wasn't the sort of camouflage I did. That's more the ordinary sort of camouflage. No, the camouflage I did was camouflaging radio sets...making uniforms, German uniforms, putting explosives into camel dung, dead rats... [Laughs]Rodney Giesler : So it was more disguise than […]
[…]r raid shelters. And I was worked there on a Sunday, on the day war was declared. And I came out, and I saw and listened to one of the first portable radios. Alexander Korda had it, and June the prey, the actress was there, and one of two others, and we went out near the powerhouse, out in the open […]
[…]nd I went back to sea in the Merchant Navy until 1925, after which time I was rather tired of the sea, so I applied to the BBC. They took me on as an engineer, and I was with them for three years. Then I got involved in a squabble, nothing to do with me at all, but I put my name down, signed my name[…]
[…]l over, Berlin, coming back with tapes, quarter inch tapes of the Blue Danube, etc. And his wife had heard something on the Third Programme, [now BBC Radio 3] this [György] Ligeti thing, this strange noise theyused for the obelisk cube, and there was in great letters across it not to be removed from[…]
[…] on and all that. Yes, mm. So… Who had a radio track record. Absolutely. Yes. Yes, absolutely. Mm, and at […]
[…] worry" and he found all sorts of bits of old radio sets and pipes and this, that and the other […]
[…]Essex where Essex had a fabulous technical infrastructure of three telephone exchanges for a phone for each students' residence, they had a broadcast radio studio which was designed to BBC standards with PPMs with Janet Fields with all the bits you would expect to find in an actual broadcast studio.[…]
