Search Results for: Radio Engineer

[…] Turner: There was at that time. If you listen to radio now, some of these things they're doing, what are […]

[…] I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television […]

[…] material has contributed to a wide range of publications, to radio and television programmes, acad emic theses and dissertations. Our […]

[…]m they’ve got the RKO symbol in the background and I suggested that there was an easy way to make the lightning flashes work. The RKO symbol was this radio tower mast with lightning flashes. So how to do that on the set of the film, I came up with a solution which I think was effective and simple. I[…]

[…] and work elsewhere so I’ll need a ticket’, you know what I mean. So, so there were those areas of friction and there was some friction in commercial radio a bit but it wasn’t very, very significant so that’s what they were like. And NATKE was really, what was NATKE? NATKE was really just [Paus[…]

[…]d film. (TIME 27.09)DARROL BLAKE: Simon Cherry, The Man in Black even before PC.49. RENÉE GLYNNE: Ahh, even before. So, they were radio spin-offs and amusing and competently shot, well lit. The rest of the film industry laughed at us. Youcouldn’t say you were working for Hammer. […]

[…]lly met him at Edinburgh, where they premiered the long Good Friday, and his wife, Susanna capon, was had been a PA at the BBC, and she'd also been a radio producer, and they had decided to to cash in on the launch of Channel Four and and have A an independent company that did educational programs f[…]