[…]s a book. I'm putting the book on the table. I'm lifting the book off the table". This kind of thing. Anyway, I spent five months in Paris doing some radio work. One of the other people who was down and out and getting a bit of money doing radio work was... Ian...Ian ...oh lord... Ian Mc-something, […]
[…]ve a proper dubbing facility out there at that did you have a recording facility out there? Yes, we did, mainly on quarter inch tape, because Baghdad radio had two of those huge old EMI machines, and we did quite a lot on those, and we had our own no they were not Narcos, but the equivalent slip tap[…]
[…] directors got due credit (even editors got credits in the Radio Times in those days!) Today most people would be […]
[…]r have, I would suppose. Anyway. I also then decided I would try my luck. The BBC and I went to the easiest thing. The thing I used to follow was the Radio Times I bought, I'd like to do some of those drawings. And I went along, and I met the art director was absolute charmer. Fellow called Ma[…]
[…]nt for a very good balance.Norman Swallow: If I remember, I was more or less the same generation, I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television in 1950 having been reading Sequence for two or three years by that time. So I am just one[…]
[…] on to eliminate it. But nowadays they very often use radio mikes, or hide a mike much more easily because […]
[…] I was much influenced by Sequence, I was working in radio myself, not yet television, and I moved to television […]
[…] somehow. The was a half reasonable excuse. They were saying this is so realistic, that the effect could be like the notorious War of the Worlds, the radio show that Orson Welles produced and people were committing suicide because they were actually Martians coming down there Main Street. Obviously […]
