[…] and she doesn't know the outcome yet. David is sound recordist and he's gone freelance. He worked for ATV, no […]
[…] Cox did the sound, and Baron Mason was the sound recordist on the picture and Reggie Beck supervising editor, Peter […]
[…] make talkies. He applied for a job as a Sound Recordist, got it, and arrived just in time to work […]
[…] the making of Victim – producer Michael Relph, and sound recordist Gordon McCallum. Unfortunately neither has yet been digitised so […]
[…] and Oswald ‘Ossie’ Morris (http://historyproject.org.uk/content/oswald-ossie-morris). Secondly there was the sound recordist Maurice Askew (http://historyproject.org.uk/content/0294) who before doing The Boy Friend […]
[…] and one on the interviewer (ch 2). While many sound recordist will use a boom for the interviewee for a […]
[…] tributaries. So: on the Barry Lyndon crew we find Sound Recordist Michael (‘Mickey’) Hickey, who also worked with Kubrick on […]
[…] September 17, 1942, p.31. [40] Mickey Hickey, projectionist and sound recordist, BECTU History Project interview; Peter Stroud, projectionist, BECTU History […]
[…], he he couldn't, couldn't take English technicians with him, so he had to pick up what was local in Arizona. And he must have chosen the worst sound recordist of all time. I mean, I mean, also it wasn't his masterpiece, the movie itself, and to get it to run 96 minutes, he had to run the title song[…]
[…]ker 15:09 the white Heike.Unknown Speaker 15:11 All of that the gunfire right in the middle of that war cameraman under sound recordist. And as you quite rightly observed, Peter, they were linked. The Sideman to the camera on was called to get the signs, their mobility was le[…]