[…]horoughly enjoyed all my - it was hard, a responsibility, sometimes seemed to get you down but I have no regrets. The only regret I have... [to sound recordist] off for a moment? [break in recording]...knew how certain things got very much improved for us. I have no regret over the way I was treated[…]
[…]son the BBC formed a film unit in those days.... It was run by a man - you may have heard of him - called Philip Daughty (sp?), and he'd been a sound recordist before the war, and after the war I bumped into a pal of mine. I was filming the maiden flight of Concorde, and one of the newsreel blokes I[…]
[…]as in charge of the whole of the film department up there. Well now Phil Dorte of course I knew, I'd worked with at Gaumont's. Phil Dorte was a sound recordist at Gaumont's and we worked together on - he was in the sound department, I was in the camera department but not in the same relative grades […]
[…]e of the set enthusiastically moving this drum backwards and forwards to produce the sound of surf. The first few times I did this, I asked the sound recordist, Dallas Bower, how it was and he said fine except the sea was rather too loud, so I moderated it after that. There was an idea of going into[…]
[…] cameraman – it was camera man and assistant , sound recordist and assistant, lighting, grip – ‘I want a pan […]
[…] Nettlefold Studios before gaining experience as a camera operator, sound recordist, art director and editor. He also became adept in […]
