[…]eadmasters did not prove to be as big a hurdle as feared as the core concept of this ESFS would enable the various schools’ facilities to be used for screenings and the Society was prepared to pay a nominal hire charge when using them. To enable some measure of control, it was also agreed that membe[…]
[…] hat in the first draft, Eric Ambler who was the screen writer, in his first draft there was very little men- […]
[…]at I did, the reason that I first went into filming was through Lupino Lane, and Lupino Lane was working at BIP and I did my first bits and pieces in screenplays I had written for him and then a little later on I did the same thing down at Warner Brothers.RF: How exactly did that come about, they ca[…]
[…]she contribute any positive factors? Do you think to your career?Speaker 1 10:48 Not until, I think Roy, not until she saw my name on the screen, because they were Bester. Darling. Heart. So they were concerned, because, all right, wanting to have anything to do with the theater or pictu[…]
[…]lways use to be just as well your show was successful as it was you might have got into trouble didn't care if you overspent as long as it was on the screen. And I think but then when I say the BBC has changed I think all television has changed totally changed. Instead of being run by ex programme p[…]
[…]n you think that coward void was a very big star, you know, in Germany and Klein Roger and see the Germans liked films which had a great power on the screen. That's why by Fritz Lang used to be so popular, because even before a film was shown in the So Western in Berlin for his Premier, it was sold […]
[…]was afterwards, I mean, let’s not kid ourselves, you know, for different reasons. But the thing was there, it was uncensored, and it was on the screens at length. Ronnie then had the great nous to link up with Rene Cutforth. Rene was there as the BBC’s radio reporter and they were […]
[…]om. And I'd never seen it. And so I went down to the new art theater as an elderly gentleman now, because I thought, I'd like to see my mother on the screen, because I had never seen in any completed film of hers. And when I got down there, I was surprised to see a line all the way around the theatr[…]
[…]nd that very stimulating, you know, to work with somebody like that. And he also was a mad keen gardener. So, I used to take all his notes for him in screenings, and sometimes he would say to me, ‘Well I must get home before dark because I have the petunias to do,’ and this, that
BECTU History Pr[…]
[…]sted in films?Philip Donnellan: I'm afraid the short answer to that is no. My perception of film was purely of a story told in a particular mode on a screen. I didn't know what a close up was or a long shot I didn't distinguish between it it seemed to be a perfectly acceptable grammar in the same wa[…]
