This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…] or Sydney Newman. Although I didn’t turn in to a script editor or anything, I was set up as the liaison […]
[…]ell, it was still, still nice but I mean I was still the junior, you know. And I saw a job on the board, used to have in The BBC, offering to run the Script Library at Television. And so I applied for that and got it and joined the Television Service in 1955, the same week that commercial television[…]
Interview No 204 Dennis Main Wilson.This transcript version was created using Otter software for the first three sides of the interview, which were edited and combined with a converted and edited PDF file of the remaining four sides. Consequently, the time codes are more infrequent on sides fo[…]
[…]red from English mixers at that particular time was that he would clock in between dialogue. In other words, he got, he knew that he’d have the script there and he knew the lines and so immediately a line, he’d clock down and come up again for the next line. Sometimes he would chip a lit[…]
[…] my career as a writer/director. I never directed anyone else's script. John Legard: And did you edit? Rodney Giesler: I […]
BECTU History Project - Interview No. 312[Copyright BECTU]Transcription Date: (Digital: 2012-09-24)Interview Dates: 1994-01-20 & 1994-03-24Interviewer: John LegardInterviewee: Rodney GieslerJohn Legard: Rodney, tell us who your parents were, and how you started, and how you got inter[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]neers of world underground belt conveying. So that was the film.It was 40 minutes long, absolutely, because there wasn't any alternative, I wrote the script, there wasn't a script really, it was just a list of shots, wrote, directed, edited, arranged the music, because the chaps who was supposed to […]
[…] long, absolutely, because there wasn't any alternative, I wrote the script, there wasn't a script really, it was just a […]
