[…] was all multi -camera and live, important to write shooting script accurately. He told us where camera would be, what […]
[…] story. A half an hour programme in a day. No script, no nothing. Go there. Went to Vienna with Nick […]
[…] much more complex for them... Jim Shields: Depth in the script... Lionel Strutt: Hmm. That certainly applies I think with […]
[…] It was scripted? Norman Fisher: Oh yes, he worked to script. It is very difficult to be specific about these […]
[…] of film and sep-mag sound, and set up your machine, and line up with the studio, and all the technical checks, and so forth and you’d usually have a script for the day’s programme as well for reference, and set yourself up and basically listen to talk-back from the studio gallery for cues as to whe[…]
Agnes Willkie - Transcript [Interviewer is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: Well, this is an interview with Agnes Willkie for the Scottish Broadcasting Heritage Group's Oral History Project. The interviewer is Janet McBain, the date is 14th Ju[…]
[…]B: Ah. PB-C: It proved to me how difficult in some ways directing must be, for Directors because, I will be absolutely honest, I didn’t love the script. I thought it was okay, but it was another break from my point of view, another drama to shoot, and I thought ‘well, there’s only so much I can[…]
Peter Mullins BEHP 0707 transcript.Interviewer: Darrol Blake (DB)Interviewee: Peter Mullins (PM)Other crew: Dan Thurley (camera); David Sharp Darrol Blake: So, can we begin by saying who you are, where you were born and when?Peter Mullins: Right. My name is Peter Mullins, I was born in London, […]
BEHP Interview 0699 transcript Taylor Downing (TD)Interviewer: Murray Weston (MW)Camera: Dan ThurleyOther crew: David Sharp Murray Weston: This is Friday 21st April, 2017 and this is interview number 699, with Taylor Downing and the recording is for the British Entertainment History Project. He[…]
[…]. So commercial television was just starting, so he ran up a friend in Rediffusion and he said, oh he's just sort of person you, you ought to have as script editor light entertainment, because he's done a lot of comedy and a lot of pantomimes and that sort of thing. And they bought it. So I was ther[…]