[…]cer and a secretary, there wasn't anything else and he used to ring me up, and he used to say ‘I've got a show tonight’, or tomorrow, ‘and I've got a script to do and I, I want somebody’. And I used to say ‘But Michael we haven’t got anybody, I mean there isn't anybody to send you’. ‘Well I've got t[…]
[…]there any more to say about the film societies? The London one and also the one you started in Ipswich? I'm curious. For example, what was the the subscription in Ipswich? Or any idea? No.Gordon Hales 13:18 No, if I said 10 shillings a season or something? It would be that sort of thingI[…]
[…] couldn’t do it but with John if you had a script you could take him the scr ipt and he […]
[…] got a show tonight’, or tomorrow, ‘and I've got a script to do and I, I want somebody’. And I […]
[…] but it was a most enjoyable picture and a brilliant script and it started off a technique now used all […]
[…]dn’the, Rayam [ph 30:26]?Yes, yes, yes. And anyway came the day when, when Tony Harvey rang me up andsaid ‘Vivienne I’ve been called up, I’ve been conscripted, would you like my job’?Oh really, mm?And I had, by this time, felt that I wasn’t getting vary far at actually getting in to itand I think Cr[…]
[…]'ve got the six sided triangle together How did you finance it?Christopher Miles 13:05 The first the first problem was to obviously get a script that I wrote myself and then get the thing I was cleared with the union's vectors for rather more than ACTT I then went to see George Elv[…]
[…]nary mixture of talent and. And sort of a Boy Scout really key. On the artistic side he had no equal in ease his concept of movies is he writing this script writing is his colour concepts is his camera concepts quite superb and on the other side of the coin there was this Boy Scout he loved to play […]
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