[…]he First Assistant carried the entire production. Now...Roy Fowler: Including all the prepping?E.M. Smedley-Aston: Yes. You used to get the script on the Friday night and you broke it down over Friday night and Saturday morning. You had the casting had got one at the same time so the cast […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]o productions, I think they’ve done an awful lot of damage but, I really think it wouldn’t be a bad idea if you know they all did it to continuity or script supervisor or whatever word you want to use. But I think as you quite rightly say because it’s a female… over here it’s female, in America ther[…]
[…] of the studio while she had a huddle with the script editor, and usually came back having sold an original story. […]
BECTU History Project - Interview No. 219[Copyright BECTU]Transcription Date: 2003-03-31Interview Date: 1991-10-23Interviewer: Sid ColeInterviewee: Bernard VorhausTape 1, Side 1Sidney Cole: Bernard, Halliwell says you were born in Germany, but I gather that's quite wrong.Bernard Vorhaus: Yes that's […]
[…]no, I haven’t got David Lean, I said oh what a pity, that’s sad. Who have you gone to. So he said well I’ve always wanted you to do it and he put the script on my lap and said get on with it. But I did ring up, I’m not sure if it was David, I know I rang up XXXX and I rang up Donald Wilson and I ran[…]
[…] is how it happened.And another person of my acquaintance had come to Britain, Alfred Zeisler, an American who worked in Berlin at UFA, and I was his script writer. And he was the first person engaged by a new firm called and Clement and Garrett, and made one movie here, The Amazing Quest Of Mr [Ern[…]
[…]rappy American, Ican't remember his name, he was typical, like a quota quickie type American, and then they send Zolly out and of course there was no script at all. Well you know the story about the cable, after Flaherty had gone out and nothing came back, they started sending urgent cables to him, […]
TRANSCRIPT OF CAROL OWENS INTERVIEW BEHP – REVISED BY COCarol Owens - IntervieweePaul Collard - Interviewer29th November 2017SPEAKER: M3 [Paul Collard]This is a British Entertainment History Project interview with Carol Owens at home in Ealing. The date is the twenty ninth of November 2017. The came[…]
[…]y show ever. We did two huge ones, I can’t remember what they were, but they were live you see, and of course in those days you see, the camera scripts were very perfunctory; if indeed there were any. And I was doing the gallery, and the way it was done, that you just had pages for camer[…]
