[…]red from English mixers at that particular time was that he would clock in between dialogue. In other words, he got, he knew that he’d have the script there and he knew the lines and so immediately a line, he’d clock down and come up again for the next line. Sometimes he would chip a lit[…]
[…]d to a pile of short story magazines – and I would read through these all day never finding one they could really make into a fil: 3. I also read the scripts and story ideas which were sent in. I did this for several months and then went onto the floor as a superronary assistant. My very first job w[…]
[…] which was directed by Leslie Howard Gordon who was the script editor I'd been working for as a reader. This […]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any mis[…]
[…]ea about making a film about the longrange Desert group and we got Sean Fielding to write the story. He wrote the story, andRobert Westerby wrote the script from his original story and that's how we made Sea OfSand.Alan Lawson: And anyway demobbed when.6Monty Berman: Well I suppose '44 would it beAl[…]
[…]rst job in the morning, after putting on his horses. CS: A lot of his crossword solving was done over the phone with Walter Mead, who was in the scripting department. UB: Yes that’s right; Walter Mead was also a very erudite man. CS: But they were both sort of Edwardian gents. UB[…]
BECTU History Project - Interview No. 51 [Copyright BECTU] Transcription Date: 2002-11-18 Interview Date: 1988-08-19 Interviewer: Roy Fowler Interviewee: Andy (Adrian) Worker Tape 1, Side 1 Roy Fowler: An interview with Adrian, otherwise known as Andy, Wo[…]
