[…]e get there. And he'd taken his portable typewriter with him. And he got as much information as he could. And for two days, he sat there typing out a script that we could go and shoot. And then we set off in the Land Rover, to into Bechuanaland stayed for three weeks in the bush with at that t[…]
[…]alled the British Film Institute Experimental Production Fund andTony Richardson and I submitted a script for a half-hour 16 mm documentary . And we got an advance of £300 and we made a film called “[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]sense of belief in that. And that was that that was very comforting actually it was it was at that time. And he said it in fact, after the terrible description with the tea. They hadn't given the, of the of the, the Cafe Royal the CafecRoyal sorry, yes. What happened was that he and his girlfr[…]
[…]nd the negative cutting was all downstairs and the lab. I went up to a man called McFarlane and said "I have an idea for a film but I can't write the script but if I give you the idea and it’s decided to make it, may I be part of the unit, because I’d like very much to go out on location. " I said "[…]
[…]ght me....it wasn't supported by anything at all. It wasn't supported by a good script ora good cast, but it got me working for Ian Dalrymple.Dalrymple had been […]
[…] and [Lynda] La Plante was it? MW : Oh yeah. Script writer. CJ: And someone else, some person from TV. And […]
[…] an idea for a film but I can't write the script but if I give you the idea and it’s […]
[…] of staff worldwide who have worked for the organisation 1928-1988. Script Supervisors UK This site is the home for a […]
