[…]ne quite a number of things previously on the network in that vein. Don Horton was his name and he very, he wasn't originally meant to be writing the scripts but because we were so short of time he wired in and he really helped us through that rather difficult initial period. But we actually got it […]
[…] McKellen as Toby Belch, Corin Redgrave as Orsino. Trying to remember this - Margaret Drabble as Viola and Trevor Nunn as Sebastian, who also held my script as my assistant. I'd say things like "Trevor, make a note, please tell Ian not to do too much". And that's where we were then. I did it. I then[…]
[…]the BBC only had one station, of course, one transmitter, Crystal Palace. Ted Halliday was [unclear 0:08:45]. Roy Cole, actually, was the scriptwriter at that time, and Roy was on holiday, and I took Roy’s place. Dick Cawston was there by that time already. Chris [s.l. Corke […]
[…] he did talk to me and then give me the script to take back. (TIME 20.10) But what an experience […]
[…]cer and a secretary, there wasn't anything else and he used to ring me up, and he used to say ‘I've got a show tonight’, or tomorrow, ‘and I've got a script to do and I, I want somebody’. And I used to say ‘But Michael we haven’t got anybody, I mean there isn't anybody to send you’. ‘Well I've got t[…]
[…]en’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed]By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be[…]
[…]egent Street? JG And I did, that’s right, and I did a degree in economics, and then I was supposed to go in the army, because it was national conscription, but I was grade 4 cause I had a perforated eardrum, from that, you know when I was about 3 or 4, and I thought I had two years profit if yo[…]
[…] got a show tonight’, or tomorrow, ‘and I've got a script to do and I, I want somebody’. And I […]
BEHP 0720 T RENÉE GLYNNE TranscriptBritish Entertainment History Project – Interview No. 720 26th January 2018INTERVIEWEE – RENÉE ALMA GLYNNE INTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-ShawDARROL BLAKE: So, can you tell me your name and[…]
[…] is how it happened.And another person of my acquaintance had come to Britain, Alfred Zeisler, an American who worked in Berlin at UFA, and I was his script writer. And he was the first person engaged by a new firm called and Clement and Garrett, and made one movie here, The Amazing Quest Of Mr [Ern[…]
