[…]rymple was the overall producer - what were your contacts with Ian Dalrymple like?Kay Mander: Well, I'd known Ian since the Denham days when he was a scriptwriter and so forth. I didn't know him closely, and I didn't get the 'Changing Face of Europe' job through Ian at all, I got it through Stuart S[…]
[…]d the chief sound cutter and the man who wrote the scripts and the commentator wouldn't be there at the time they were looking at the rushes. And the scriptwriter would then get from the editor a list of the shots they were going to use and he will have seen them and remembered them. It would then g[…]
[…]. After that silent film I then went to work on another one called Devil's Maze directed by a chap called Gareth Gundrey who I think was originally a scriptwriter and the cameraman on that was a Baron Went de Mi lion with Ching Mountenay as his assistant, Ching was still in the camera department in […]
[…]nbsp;30:00 Well, the first you'll see was we had to make a gesture to save it. And so I suggested to Louis MacNeice who was their resident scriptwriter, that we might have a go at “Alexandre Nevsky” as a sound production. And Louis did the most wonderful job, it was only a paraphrase it c[…]
[…]verything was in synchronism and the sizes were right and everything was right. In the end what seemed to bedevil Independent Frame was that the scriptwriters and actors and directors couldn't keep up with the pace of these advanced methods and consequently the films were always hurried and awf[…]
[…] who was Co -Director, Marjorie Deans who was Co - Scriptwriter . And he more or less didn’t stop but […]
[…] the other episodes...it was a crazy budget. And then the scriptwriters were writing in scripts which we [did] out on […]
[…] 1930s, she entered the British film industry as a documentary scriptwriter early in the War, her first film was Out […]
[…] these series, they had a different director and a different scriptwriter for each episode. So one thing, it was a […]
