Russell Galbraith

[…] electricians, lighting directors, most of them had no experience! I think I'm probably right in saying a few sound people, one or two camera people, senior people, were brought in from the BBC. Maybe had found themselves just a rung or two before, below the top in the BBC, given the chance to maybe[…]

Louise Willcox

[…]other half went to do what was called the sound training course in London. And in theory, you had to do that course before you could be promoted to a senior audio supervisor. And he was sitting in continuity in London, watching pebble melawan going out andUnknown Speaker  19:54  we'll put […]

Anne Hanford

[…]FORD: [TIME 5821]    Yes.  Well in fact he did come from the Sound Archives, but he had actually been working in the Film Library as a Senior Selector, so he was already working, even though he had come from the Library, so he was, if you like, a kind of promotion to be my assistant. […]

Taylor Downing

[…]ersonnel management. MW: Mm, I know. TD: I mean it left me feeling eight feet tall. The idea that at that point it was still possible for a senior manager to recognise that there was somebody that he didn’t know. I mean, later on, there were so many, the staff had grown so much that no sen[…]

Derek Williams

[…]t difference between film documentary and television documentary, I am afraid is that in film documentary, The visuals were always the principal, the senior partner and in television documentary, The words have become less senior partner. Television is a words medium. And that is was always consider[…]

James Arthur Clark

[…]n't help the project.SPEAKER: M14The project is not yours. I think that's something which editors and cameramen and some men and any any of us in its senior creative jobs should always remember that we don't sign the thing. It's not our total responsibility. We are there I believe to serve the peopl[…]
Scroll to Top