[…]wpoint, we had a four-man crew to operate what we now do as a one-man job in studios. We had a Sound Mixer. We had an assistant Sound Mixer. We had a senior tape editor and, you know, player and a four-person in any given studio crew and that's, you know, not realistic but it was what we did at the […]
[…]e, I think, saw the value of the story and was quite prepared for the Navy to play second fiddle, realised that the facilities that were asked of the Senior Service were very few and far between, and let it go. Because he liked the story, he thought it was a good story and thought, "Yes, that's all […]
[…] at the BBC. He rang Paul Fox who was the senior doyen I think chairman at that time and said, […]
[…] fiddle, realised that the facilities that were asked of the Senior Service were very few and far between, and let […]
[…] fiddle, realised that the facilities that were asked of the Senior Service were very few and far between, and let […]
[…] Thirties as the ACT by some nicely middle-class gentlemen occupying senior positions in a select industry they loved – not […]
[…]ight, electricians eight and they 10 down from mo Richardson and a huge truck and they jumped out in tracksuits virtually, I think David Whitson, the cameraman, we looked at each other, and we said, what do we do? What do we do? But they were very kind. And I think I was learning all the time, becau[…]
[…]t in England what happened was that apparently Michael Grade rang Paul Fox one day from the BBC, Michael was at the BBC. He rang Paul Fox who was the senior doyen I think chairman at that time and said, "Is there..." He said, "No." Of course Paul wouldn't do a thing like that - he didn't know, and P[…]
[…]d Sydney operators. They didn't have any. They didn't have a sort of anything filmed. I became a leading hand and leading to the operator and visible senior hand in the country when we had a sort of ran officer who was running the kind of his little Wilkinson. Does that name ring a bell with you. No[…]
