[…]aily rushes and some cut sequences. I remember there was always a crowd of native extras on the ground, living in tents near the exterior jungle film set. It was interesting to note that their shop steward who was also Paul Robeson's stand-in was Kenyatta who made a name for himself much later on as[…]
[…], no, no.Roy Fowler: And you were obviously very happy to get into the business to break in?Norman Fisher: Indeed. Kay Laboratories at that time were setting up a sensitometry department and sensitometry was rather a new thing then. I was in that most of the time, in Kays in fact all of the time. An[…]
[…]an aerodrome, didn't it?Sidney Cole: Yes, this is at Worton Hall?Kay Mander: This is a Worton Hall, and that was the first time it had been used as a set - as a stage, and it's the one that is now the silent stage at Shepperton.Sidney Cole: Oh I didn't realise that!Kay Mander: That's where it starte[…]
[…] Well we rehearsed the scene and Kate came onto the set and she had never met Fonda before and worked […]
[…] Tape 1 Side A 3 physique and have a whole set of false papers, I was stateless you see, or […]
[…] the ground, living in tents near the exterior jungle film set. It was interesting to note that their shop steward […]
[…] mother who was a widow then, she came down and set up in house here, so I was still living […]
[…]f the composer Hollander? Anyway, he was a well known composer in in Berlin at the time but went to live in America and made his name there. And they set up a his own. I think I better just stop this some waffling on going on to all sorts of things that are actually irrelevant. So we need to go back[…]
[…] 3:37 Then what now? I graduated in 1950 summer, and I helped a woman called Doris Wagner Moore with a great entertainment she had in this set of the TS Eliot play. We just use the set because she was starting up a museum of costume. It's now the one in March in Bath. It was never a museu[…]
