[…]k it was the same at Gainsborough, the stages were on top of each other. So when you went up in the lift the doors opened and you looked right into a set, it was fabulous, it was the first time I'd ever seen a set, people around and lights, the doors closed and up we went and the publicity departmen[…]
[…] place in Petit France where British Transport Films had just set up an office. And John Jokenson and I both […]
[…] on Horseback (1954) John Legard : And they had a set for the mine itself at ( indistinct) studios. Jean […]
[…]e applications laboratory and opposite it the Kodak Museum so it was…Kodak museum was in the original building that George Eastman came to the UK and set up his photographic business, having failed in America first and it was his first successful venture and from there he went back to America and se[…]
[…]me and the programme never came back because we really did do it live on a boat on a Saturday morning. We rehearsed on a Thursday/Friday and the boat set sail, the Royal Iris, on a Saturday morning and it was reading technology, which apparently had been developed to try and cover Francis Chichester[…]
[…]ily, I had to do one night but I did two nights a week at night school as well. So and that, that was really, and I became very interested in a whole set of things which weren’t simply the technical aspects ofROY LOCKETT 2what we did. Became interested in the history of typography, the private […]
[…]nbsp; That was eye opening for Conservative Government - Willie Whitelaw & Leon Brittain. I set up meeting for Leon to meet would-be independent producers. I set up screening at BAFTA of films by independent producers – Mike Dodds, Michael Pe[…]
[…]bsp;– which was ’68 – it was Royalty House and the other office in Dean Street.SF: Yeah, I remember.And so I did that for six years, including I set up the photographic department. We used to send out our stills to an outside photographer to copy and it was very expensive and the quality was va[…]
