[…], it certainly wasn't my intention to stay at strand, I got a father figure of three years. And at that age, three years is a long time. Anyway, so I set about introducing new equipment. And fortunately, there was a man who liked you using it as new equipment. And there were these beam lights or pag[…]
[…]good. Obviously the first day you’re there you don’t understand very much.Do you remember your first day at all?No I don’t actually remember what the set was or where I was but you used to follow whoever the continuity girls was and you’d sit behind and keep your mouth shut and then, my two were ver[…]
[…] carnation in his lapel and he came on to the set and he had no carnation when we were actually […]
[…] finally agreed that he would be allowed to make a set of costumes for Richard and if we all thought […]
[…] to 1969. I then embarked on a PhD, still at Cambridge, but after about a year I decided it wasn’t for me, and at almost exactly that time, a strange set of circumstances forced an advertisement for a job at the Imperial War Museum to my attention. So I applied for that. It seemed – bizarrely actual[…]
[…] is, every day.DARROL BLAKE: Once they started shooting were you still part of it?RENÉE GLYNNE: Yes, but the promise that he made he didn’t keep becauseTom White, who was the umbrella of independent producers, who had David Lean, Michael Powell and Gaby, and Launder and Gilliat (TIME 16.02) ...[…]
[…]ut he was behind all of these pictures.JK: No he doesn’t does he? He was a very quiet and gentle man. I was a bit scared of him. I was sitting on the set, because in those days I was so eager I used to learn everything what they were doing. And I was sitting there I wasn’t working there; I used to c[…]
