Search Results for: Set designer

[…]d.Margaret Thomson: Enormously. That’s an aspect we don’t hear about.Jean Anderson: But I have enjoyed touring in the past, I did several tours for a setup called ‘Candida Plays’ which George Baker  ran. He had an Arts Council allowance, (which is very rare) for himself to take companies on tou[…]

[…]ow careerist I was. I said "Well perhaps we'll find something else." I wasn't going to go into the whole business of working for two years to try and set up This Sporting Life.But then I had dinner with Oscar Lewenstein and Oscar said "oh, I've just read a book that would make a very good film" and […]

[…]this recording is vested in the ACTU TV history project. The subject is Maxwell set and interviewed by John Legend. Fifth debate for 1991 side 1 I'M SORRY. WELL[…]

[…]ed book within two years or three years it was very remarkable, because the whole business of commissioning authors and then they writing it and then setting it up in print, it went on forever. And of course again when you're 21, 3 years sound like an infinity. Norman Swallow: Did you specialis[…]

[…]re you interested? He said he working in the film industry? Yes. Well, he said I can pick you up with a dog. We've lived in Edmonton.There you should set up a dish that I will be making the sound head that with John Marlowe and everything tied up together is John Marlowe, Ted. And George.He said I'v[…]

[…] Carmen Dillon: Almost immediately. Because I had to get it set into it. But I had a very dear little […]

[…] whole business of working for two years to try and set up This Sporting Life. But then I had dinner […]

[…] how frequent they would be. There was the most Byzantine set of rules about the whole thing. And since nobody […]

[…] was forced to return to Britain where in 1950 he set up Contemporary Films, distributing political and art house films, […]