[…]available on the floor, in case we ever needed to get another setup. But we always had two cameras. This was this system. And then, if we had any big sets, for instance, then about four or five cameras, right? You know,Roy Fowler 13:33 even on a Hitchcock film, he was so careful about, o[…]
[…]ch never made a sketch that I can remember, buthis favourite thing was to tear a page out of English Homes and give you a rough plan ofhow he saw the sets. And he was very ingenious, Vetch. His great quality was that hebuilt his sets very loosely. He had very much the idea of regression of faces wit[…]
[…] which we were doing. They would build enormous and elaborate sets. Everything was built sets in those days. The wonderful […]
[…]rk I mean and there was in the art department director was David Rawnsley. I David Rawnsley had a most terrible time he built the most wonderful sets for this picture and he got nothing but stick from Paul Stein and. It really did do all wonderful wonderful chart and the sets were quite lovely […]
[…]en in those days. And it was sold out right for 70 pounds. My father photographed it directed it, and with the aid of one or two colleagues built the sets. And that was really the beginning. Roy Fowler 6:49 Do he sell all the rights in it? Ronald Neame 6:51[…]
[…]dmag.DS: So they tried it out and I did it and I made it as a musical and it was very lavish with a mock-up of all the... and dancers coming down the sets and the fashion bit with all their things. They were a bit horrified, Marks & Spencer’s, because I went over the top and I wanted so muc[…]
[…] on overage. He was at the end of his contract the first day of shooting because he spent so much time doing tests of Elizabeth Taylor's wardrobe and sets and it was a long time there were delays on construction, everything else it was a pirate. And Ruben Craddock raconter quite awake. He had all th[…]
[…]ound in the evenings in the early ‘30s in a small attaché case. He would go round soliciting subscriptions for the Children's Encyclopedia and we had sets of them in the house and they were infinitely boring. I never read one, never, well I consulted it I suppose – they were books of solid blocks of[…]
[…]on Gongman branded ones that had been given to Managers at one of their annual conferences. Having somehow - unsurprisingly! - managed to acquire two sets, he kindly said I could keep his spare set and now consider myself fully Odeon-Branded. I proudly wore them on many later premieres at the Odeon […]
[…]. I hope you forgive me.” I said “Of course I forgive you.”And another rather nice story about that – I used to sit, we had a staircase on one of the sets and I used to sit on the staircase with the young Jean, and we used to talk about acting, about filming, about this that and the other, and I sai[…]
