Francis Gysin

[…]in reality mainly because you were able to get this stuff from. Yes it may sounds it may sound characters that that one is reading reading modern languages but&[…]

Ronnie Noble

[…]bsp;do you go away as the the cutaway camera. Or if you if they had a sound camera you have the silent. So that if the other camera would do the […]

Charles Wilder

[…]s. And after that they made um, Jessie Matthews' Evergreen. And at one time in the new building we had five films going at one time.Margaret Thomson: Sound came in in '28 didn't it?Charles Wilder: Pardon?Margaret Thomson: Sound came in...?Charles Wilder: Sound came in about 1927 and I can remember t[…]

Alan Izod

[…]icularly in the cutting rooms and the theatre and the recording at Cleveland Street.Stephen Peet  31:14  Did you were you working with sync sound, for instance, down the mine or was it all added sound added later, you recall? Because it usual to work with sync.Alan Izod  31:27  N[…]

Bill Welch

Bill Welch ( sound effects, props) by admin — last modified Jul 31, 2008 10:46 AM BIOGRAPHY: Bill Welsh worked […]

Ella Mallett

[…] of the orchestra from May 1914 until the advent of sound. From 1930 she worked at the head office of […]

2eric-cross-history-project

[…] department. Moved to Clapha m studios, then to ASFI, Associated Sound Film Industries at Wembley studios where he became a […]

Bob Jordan

[…]in those days was particularly difficult because there were no reflex cameras as such. Arriflex was there of course but that was not a sound camera. You used to use the BNCs and they had a side view-finders so the operator could never tell if he was out of focus or not. You […]

Gerry Fisher

[…] the actress could rehearse a scene.My mind's racing here, because there are so many different little stories, but one of them was at the head of the sound department. JACK Cox, john Cox, john Cox, john Cox, john Cox. Cox was Karen, john john Cox had been involved with this with various what must ha[…]

Alfred E. (Alfie) Cox

[…] I moved off and went. More or less freelancing. When I worked at Whartons studios like that. With varying editors. And. Then went back to them as it sounded.[00:17:15.040] - SPEAKER: M6 But when you were freelancing that was about me doing this is it really all about the work.[00:17:21.520] - […]
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