Search Results for: Sound

[…] working here. Always very quiet, always frightfully industrious. Kay Mander: Sound is very important in.... Joy Batchelor: Well yes, we've […]

[…] which weren't very big studios. They were known as associated sound film industries and I wrote to a man called […]

[…] bombers coming into London would fly very low passed out. I remember my mother was ill in bed, once with pleurisy, and I heard this, this, this, the sound of these engines. And I opened the curtain, looked out of the window, and there was a German bomber. In fact, several German bombers passing by […]

[…]ebody and inquire, they said, well come on over and see us. There came along and saw that, but I didn't do too well, because I didn't know much about sound or questions about sound. And I didn't know much about that. And it just so happened, he mentioned this me to the head of camera department at t[…]

[…]. We’ve been doing a lot of work on reproducing prints, faded prints, the contrast range of things like Vision premiere prints. We’ve been working on sound reproduction because each era has its own soundtrack formats and problems with those formats. So we’ve been scanning soundtracks coming up with […]

[…]tment.CR: MorganEH: Morgan, yeah that’s right. And at the end of film party, Jocelyn Rickards was there and I’d heard about Jocelyn and I thought she sounded wonderful, and I had for a bit worked as Art Director on Morgan as my husband’s father died in America and he went off for a month. Nobody see[…]

[…]led Glendhu anymore, it was called Glendarroch and in fact that was because my mother's maiden name was Darroch and I thought it had a quite resonant-sounding name and we kind of flew by the seat of our pants for two months! I: And Garnock Way had been produced before that? R: Oh yes! But […]