[…] your arse and tearing the skin off? [Laughter] That actually sounds right. But that, that is typical. As my old […]
[…] photograph. He wants to edit it. He wants to do sound. And. He wants to literally do everything now. I […]
[…] camcorder) and one on the interviewer (ch 2). While many sound recordist will use a boom for the interviewee for […]
[…] the performances – including O’Neal’s performance – exquisite; its baroque sound-track perfectly matched to its cool and ironic mood; its […]
[…] UK and abroad.  Hazel Ascot In the late 1930s Sound City Studios – the forerunner of Shepperton Studios – […]
[…] Moving Image Society otherwise known as the The British Kinematograph, Sound and Television Society (BKSTS). British Film Studios This is […]
[…]e the topics of conversation that you've often raised is the courage of the crews, because they will often almost linked together by umbilical cords, sound and cameras and it was difficult for them to run. And as only if you'd like to tell me a bit about the work of the crews in that period and the […]
[…]e American Ampex machines are an order that relied on because the bandwidth for television signal is much wider thanUnknown Speaker 11:58 sound.Unknown Speaker 12:01 And the governing factor really is the head to tape speed and the size of the gap in the head. And the Ampex m[…]
[…]lin Miller, who worked in editor know when, when he left, Pearl and Dean, he went on to work in the live action side of the business. And he became a sound engineer. And I've recently caught up with him. And his main thing he ended up doing, he worked on a lot of the Bond films. But he was a sound e[…]
[…]re about a new Arts event that was happening - no training! Absolutely nothing! Off I went with Varik Easton, shooting on reversal, on film, with the sound on the stripe, which had to go to the bath at Yoker to be processed and then come back to STV to be cut about half past three, four o' clock and[…]