[…] British Movietone News which was setting up the country’s first sound newsreel. His stories about the rivalries between the newsreel […]
[…] status and financial rewards were improving. By 1930 of course, sound had arrived, but this was not a key factor. […]
[…] (http://historyproject.org.uk/content/lindsay-anderson) and Oswald ‘Ossie’ Morris (http://historyproject.org.uk/content/oswald-ossie-morris). Secondly there was the sound recordist Maurice Askew (http://historyproject.org.uk/content/0294) who before doing The Boy […]
[…] recording. Providing clarity for researchers where recordings – due to sound levels, accents or interference – may render the sound […]
[…] International Moving Image Society otherwise known as the The British Kinematograph, Sound and Television Society (BKSTS). www.bufvc.ac.uk Website for British Universities […]
[…] mean, we even changed the name to Asian magazine to make it more relevant to a younger audience and more accessible. ThatSpeaker 1 14:13 sounds fantastic. And yeah. Great pioneering work, I think, following on from the people who created the immigrants immigrants unit and the work that […]
[…]e any major considerations during that transition? Did your approach change at all?PS: It necessarily changed, but in that period one would hear what sounds like a ridiculous question today: Is this a colour film, is this film suitable for colour, or is it a black and white film? Really, truthfully […]
[…]can filmmaker called Alan Forbes. Alan made documentary films. He was in London and he taught me about editing, and about camera operating, and about sound, and basically was a very committed filmmaker. And, God, I was lucky to work with somebody who was so inspirational and cared so much about his […]
[…]ead of its time indeed), but I always remember sitting in the audience at being absolutely amazed at what went on behind the scenes! The cameras, the sound, everything indeed was incredible! From that moment on I used to get tickets for all the STV shows sent. I used to write in. We got them for not[…]
[…]ck to members, some of whom had been exposed to asbestos in previous careers outside the industry, but others who've been exposed to asbestos through soundproofing and studios, often at a time when everyone thought asbestos was some magic product was everyone the, the asbestos producers didn't think[…]